Francisco de Goya
Spanish 1746-1828 Francisco de Goya Locations was an Aragonese Spanish painter and printmaker. Goya was a court painter to the Spanish Crown and a chronicler of history. He has been regarded both as the last of the Old Masters and as the first of the moderns. The subversive and subjective element in his art, as well as his bold handling of paint, provided a model for the work of later generations of artists, notably Manet and Picasso. Goya married Bayeu's sister Josefa in July 25, 1773. His marriage to Josefa (he nicknamed her "Pepa"), and Francisco Bayeu's membership of the Royal Academy of Fine Art (from the year 1765) helped him to procure work with the Royal Tapestry Workshop. There, over the course of five years, he designed some 42 patterns, many of which were used to decorate (and insulate) the bare stone walls of El Escorial and the Palacio Real de El Pardo, the newly built residences of the Spanish monarchs. This brought his artistic talents to the attention of the Spanish monarchs who later would give him access to the royal court. He also painted a canvas for the altar of the Church of San Francisco El Grande, which led to his appointment as a member of the Royal Academy of Fine Art. In 1783, the Count of Floridablanca, a favorite of King Carlos III, commissioned him to paint his portrait. He also became friends with Crown Prince Don Luis, and lived in his house. His circle of patrons grew to include the Duke and Duchess of Osuna, whom he painted, the King and other notable people of the kingdom. After the death of Charles III in 1788 and revolution in France in 1789, during the reign of Charles IV, Goya reached his peak of popularity with royalty.
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Francisco de Goya Portrat des Don Sebastian Gabriel de Borbon y Braganza oil painting


Portrat des Don Sebastian Gabriel de Borbon y Braganza
Date 1822(1822) Medium Oil on canvas Dimensions Deutsch: 144 x 105 cm cjr
Painting ID::  87559 		Francisco de Goya
Portrat des Don Sebastian Gabriel de Borbon y Braganza
Date 1822(1822) Medium Oil on canvas Dimensions Deutsch: 144 x 105 cm cjr
   
   
     
Francisco de Goya Geiblerprozession oil painting


Geiblerprozession
Date 1812-1814 Medium Oil on canvas Dimensions 46 x 73 cm cjr
Painting ID::  87579 		Francisco de Goya
Geiblerprozession
Date 1812-1814 Medium Oil on canvas Dimensions 46 x 73 cm cjr
   
   
     
Francisco de Goya Portrat der Dona Isabel Cabos de Porcel oil painting


Portrat der Dona Isabel Cabos de Porcel
Date 1805(1805) Medium Oil on canvas Dimensions Deutsch: 81 x 54 cm cjr
Painting ID::  87580 		Francisco de Goya
Portrat der Dona Isabel Cabos de Porcel
Date 1805(1805) Medium Oil on canvas Dimensions Deutsch: 81 x 54 cm cjr
   
   
     
Francisco de Goya The Second of May 1808 or The Charge of the Mamelukes oil painting


The Second of May 1808 or The Charge of the Mamelukes
Date 1814(1814) Medium Oil on canvas Dimensions 266 x 345 cm (104.7 x 135.8 in) cjr
Painting ID::  87692 		Francisco de Goya
The Second of May 1808 or The Charge of the Mamelukes
Date 1814(1814) Medium Oil on canvas Dimensions 266 x 345 cm (104.7 x 135.8 in) cjr
   
   
     
Francisco de Goya Lesende Manner oil painting


Lesende Manner
Date 1820-1821 Medium Oil on canvas Dimensions Deutsch: 125 x 66 cm cjr
Painting ID::  87841 		Francisco de Goya
Lesende Manner
Date 1820-1821 Medium Oil on canvas Dimensions Deutsch: 125 x 66 cm cjr
   
   
     
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     Francisco de Goya
     Spanish 1746-1828 Francisco de Goya Locations was an Aragonese Spanish painter and printmaker. Goya was a court painter to the Spanish Crown and a chronicler of history. He has been regarded both as the last of the Old Masters and as the first of the moderns. The subversive and subjective element in his art, as well as his bold handling of paint, provided a model for the work of later generations of artists, notably Manet and Picasso. Goya married Bayeu's sister Josefa in July 25, 1773. His marriage to Josefa (he nicknamed her "Pepa"), and Francisco Bayeu's membership of the Royal Academy of Fine Art (from the year 1765) helped him to procure work with the Royal Tapestry Workshop. There, over the course of five years, he designed some 42 patterns, many of which were used to decorate (and insulate) the bare stone walls of El Escorial and the Palacio Real de El Pardo, the newly built residences of the Spanish monarchs. This brought his artistic talents to the attention of the Spanish monarchs who later would give him access to the royal court. He also painted a canvas for the altar of the Church of San Francisco El Grande, which led to his appointment as a member of the Royal Academy of Fine Art. In 1783, the Count of Floridablanca, a favorite of King Carlos III, commissioned him to paint his portrait. He also became friends with Crown Prince Don Luis, and lived in his house. His circle of patrons grew to include the Duke and Duchess of Osuna, whom he painted, the King and other notable people of the kingdom. After the death of Charles III in 1788 and revolution in France in 1789, during the reign of Charles IV, Goya reached his peak of popularity with royalty.

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